Lionel Loueke + The Vampires Pozible campaign

by Jeremy Rose on 10 April 2016

 

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Australian Tour with Lionel Loueke

by Jeremy Rose on 7 April 2016

Vampires+Lionel_Tour_E-Flyer-01

 

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Foundry 616 – October 16 2015

by Jeremy Rose on 5 October 2015

Don’t miss this show with guests Ben Hauptmann (guitar) and Jonathan Zwartz (bass)!

Friday October 16 2015
Foundry 616
Ultimo – Sydney
www.foundry616.com.au
October Foundry e-flyer

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Europe Summer Tour 2015

by Jeremy Rose on 25 May 2015

Looking forward to kicking off our Europe Summer Tour!

Vampires_Euro-Tour_Flyer_2

 

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Love Supreme Festival – UK

by Jeremy Rose on 20 March 2015

The Vampires will be performing at the 2015 Love Supreme Festival in Glynde, south from London.

We will be sharing the bill with a stellar lineup – hope to see you there.

http://www.lovesupremefestival.com/

Love Supreme

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Jazzahead! 2014 showreel

24 November 2014
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The Vampires at Granite Town Festival and Jazzgroove Nov 18

8 October 2014

Upcoming shows: 18 October 2014 / Granite Town Festival  / MORUYA NSW / 1:30PM more details at their webiste 18 November 2014 / Jazzahead @ Foundry 616 / ULTIMO NSW / 10.00pm more details at their webiste

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Sydney Fringe Festival 2014

23 July 2014

Join us for the Sydney Fringe Festival ! Friday Sept 12 2014 8:30pm and 10:00pm The Sound Lounge @ The Seymour Centre presented by Sydney Improvised Music Association (SIMA) corner City rd and Cleveland st Chippendale, SYDNEY more details from the SIMA website here

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Starfish Club Monday 2 June 2014

24 May 2014

The Vampires will be playing a show at bassist Jonathan Zwartz’s The Starfish Club in Clovelly with special guest guitarist Ben Hauptmann. Ben is one of our favourite guitarists and is an award winning performer in both jazz and contemporary music, and has performed around the world. We look forward to collaborating with him. Monday […]

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Germany Tour wrap-up

14 May 2014

“The Vampires’ music blended everything from hints of soul to tinges of the Balkans, a taste of African and Jamaican influences and, of course, a liberal heaping of jazz-centric interplay for a distinctive gumbo that was more eminently accessible, grooved harder and, through clever arrangements for the two horns, created a bigger sound than might […]

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